Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Hula Girls: Yes, Very Kawaii, but That’s All

By Aja Pecknold

Published on September 18, 2007 at 11:56pm

What's a rural Japanese town do when the coal mine closes? Why, build a Hawaiian-themed tourist attraction, of course. It's a charming idea stretched out way too long in Hula Girls. Just as the imported palm trees don't thrive in their new environs, a town full of unemployed coal miners isn't the most fertile ground for the comic frivolity of an imported dance craze. As the girls courageous (or crazy) enough to learn hula stumble slowly through their steps, so does the film—it's one that would have benefited greatly from a Dirty Dancing–esque montage to move things along. And I'd love to hear "(I've Had) The Time of My Life" in Japanese. Unfortunately, '80s-style elevator music permeates each pivotal scene, squelching any emotional reaction (other than a wince). An uplifting finale hews close to The Full Monty formula; perhaps the Brits will do better with a Hula Girls remake.