Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Most Popular

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

  • Dallas Observer

    The Fight for Texas

    Rick Perry and Kay Bailey Hutchison are locked in a battle over the soul of the GOP. They're also running for governor.

    By Sam Merten

Hula Girls: Yes, Very Kawaii, but That’s All

By Aja Pecknold

Published on September 18, 2007 at 11:56pm

What's a rural Japanese town do when the coal mine closes? Why, build a Hawaiian-themed tourist attraction, of course. It's a charming idea stretched out way too long in Hula Girls. Just as the imported palm trees don't thrive in their new environs, a town full of unemployed coal miners isn't the most fertile ground for the comic frivolity of an imported dance craze. As the girls courageous (or crazy) enough to learn hula stumble slowly through their steps, so does the film—it's one that would have benefited greatly from a Dirty Dancing–esque montage to move things along. And I'd love to hear "(I've Had) The Time of My Life" in Japanese. Unfortunately, '80s-style elevator music permeates each pivotal scene, squelching any emotional reaction (other than a wince). An uplifting finale hews close to The Full Monty formula; perhaps the Brits will do better with a Hula Girls remake.