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Various Artists
Christmas in the Northwest 9
(Children's Music Fund Inc.)
Christmas 1985. My dad was working as a video editor at KIRO (they always had the best Christmas parties—with presents! I even got a Baby Sitters Club book one year) and part of the after-work highlights for us, his kids, was when he'd show us what he'd been toiling over all day. As our TV options were limited to Sesame Street and Mr. Rogers, anything on a VHS tape was cool to us ("A movie!"), so he'd throw it on and we'd sit, transfixed, watching over and over again. This time it happened to be a holiday montage set to the quintessential Seattle seasonal song: "Christmas in the Northwest." From the magical opening tinkle of piano keys at the opening, we were hooked. It didn't matter what was happening on the screen—the song was transporting our hearts and minds directly into the epicenter of the season's spirit. The uplifting, inspirational, and addictively catchy chorus stayed with us all year. We sang our favorite song with fervor through spring, summer, and fall until it inevitably came back around again and again and again. Twenty-one years later, the compilation CD still benefits a whole stocking full of children's charities and always includes a version of our favorite tune by Brenda Kutz White. It wouldn't be Christmas without it—for as the song goes: "If you take away the presents/Well, we'll still have a tree/For Christmas in the Northwest/Is a gift God wrapped in green!" AJA PECKNOLD
Rachael Ray
How Cool Is That: Christmas
(Epic)
You've got to admit, Ray-Ray has some good ideas. Like her cheddar-studded turkey burgers, a sensible and tasty recipe from that cookbook about eating healthy without going to extremes. Too bad, then, that the label geniuses at Epic let her compile a holiday mix so off-the-wall in its inclusion of disparate ingredients (Buster Poindexter's "Zat You, Santa Claus?" three moves away from Willie Nelson's "Blue Christmas") that it becomes audible goulash. A fine ruby borscht—warm and soothing— was almost achieved with classics from Billie Holiday, Doris Day, and Aretha Franklin—not to mention the exquisitely good choice of Ol' Blue Eyes' "White Christmas." But then she gets Showtunesy with a Jane Monheit number and downright stupid with Lou Monte's "Dominick the Donkey" (that's "the Italian Christmas donkey" for those not familiar). It's like throwing a fistful of cilantro into the meat-tastic Christmas pasta recipe in the liner notes. "It worked for Martha"might be the logic for our Queen of Quick, who is no doubt hee-hawing her way to the bank. RACHEL SHIMP
The Sonics/ The Wailers/ The Galaxies
Merry Christmas
(Out of print, but legendary)