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  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Seattle Weekly PickBeen Rich All My Life

Showing at Grand Illusion, Fri., Aug. 25– Thurs., Aug. 31. Not rated. 81 minutes.

Melissa Levine

Published on August 23, 2006

The aesthetics of Heather MacDonald's documentary are not remarkable, but the dancing octogenarians are. In fact, the Silver Belles, five former Harlem chorus girls who are still bustin' a move despite their advanced ages, are the best kind of company there is. Despite not being able to "remember shit," and despite declining and unpredictable bodies, they make it to rehearsal after rehearsal and performance after performance, donning sequins and spangles and whooping up a whole lotta somethin' in front of sold-out crowds. Been Rich gives us their fire and joy, and also a slice of American history, as the Belles discuss their origins and their years as chorus girls. Beginning at the Apollo Theater in the 1930s, they danced with Bill "Bojangles" Robinson; shared the stage with Duke Ellington, Ella Fitzgerald, and Louis Armstrong; and put on upward of half a dozen shows a day, seven days a week.

In the end, despite such hardship and strikes and discrimination and age, Been Rich is a paean to joy. Flirtatious, playful, awake, and full of swish—the Silver Belles are having fun. "When I get up there, I light up like a Christmas tree," says one performer of the stage. Hers is a brand of naked bravery, of unabashed commitment to living large. No matter the challenges of their bodies, the Silver Belles refuse to sit down and refuse to be small, and their willingness to be out, loud, and proud is thrilling. MELISSA LEVINE