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Courtney's Family Curse

Kurt Cobain's wild widow comes from a long line of misbehaving mamas.

David Hollenbach

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The Courtney Love Library

Her Mother's Daughter: A Memoir of the Mother I Never Knew and of My Daughter, Courtney Love (Doubleday). Linda Carroll's fairy tale–like multigenerational saga. More info at: www.hermothersdaughter.net.

Dirty Blonde: The Diaries of Courtney Love (Faber). Courtney opens the kimono on her private files. Due in November.

Love Kills: The Assassination of Kurt Cobain (Arkives). Courtney's dad tells his side. Due soon after Courtney's book.

Borrowed Finery: A Memoir (Henry Holt). The National Book Critics Circle– honored life story of Courtney's grandma, Paula Fox, concluding with her reunion with long-lost daughter Linda Carroll—a rare scene of bliss in Fox's rigorously stark oeuvre. "I seem to abjure sentimentality," she has said.

Courtney Love: The Real Story (Simon & Schuster). Gender-bending horror novelist Poppy Z. Brite tells an extraordinarily pro-Courtney story. Some episodes (e.g., Courtney chasing Vanity Fair nemesis Lynn Hirschberg under cigar-chomping Jodie Foster's table at an Oscar party, threatening to brain her with Tarantino's Oscar) read like fiction.

Bongwater (Grove Press). Michael Hornburg's roman à clef about Courtney and the Portland boho life. Made into a Luke Wilson/Alicia Witt movie (Image Entertainment), though the definitive Courtney impression on film is by Chloe Webb in Sid & Nancy (Criterion).

Courtney Love: Queen of Noise (Pocket). Courtney commissioned, then quit cooperating with, biographer Melissa Rossi (aka Babs Babylon), an ex–Portland and Seattle Weekly nightlife columnist. Rossi's best on Courtney's Portland milieu, less reliable on her family.

Nirvana: Fudge Packin, Crack Smokin, Satan Worshippin Motherfuckers (Hyperion). Britt Collins and Victoria Clarke's bio of Kurt, Courtney, and company was retitled Flower Sniffin', Kitty Pettin', Baby Kissin' Corporate Rock Whores, then shelved by publishers after Kurt and Courtney, terrified that the women had spoken to Hirschberg, went on the warpath against it. The manuscript is benign to the point of dullness, but Kurt and Courtney's famous 5,000-word death-threat rant on the authors' answering machine tape still circulates in samizdat and proves Courtney's verbal flair.

Come As You Are: The Story of Nirvana (Main Street). Courtney plays an important supporting role in the brilliant band bio by Michael Azerrad (editor in chief of eMusic, which just hired away Seattle Weekly music editor Michaelangelo Matos).

Heavier Than Heaven: A Biography of Kurt Cobain (Hyperion). Courtney is also prominent in Charles Cross' definitive, Timothy White Award–winning bio, which taught her much she did not know.

Tim Appelo

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Frances comes of age amid a welter of words that tell her family's story. But what story will Frances tell about herself? Will she write the concluding chapter to the epic Curse of the Firstborn Daughters? All we have to go on is a mini-interview in Teen Vogue: "I don't want to be titled as Courtney Love and Kurt Cobain's daughter. I want to be thought of as Frances Cobain." But her forebears leave her a paradoxical legacy—example after example of heroic self-definition against all odds and equal evidence that character is fate, as ineluctable as Greek tragedy. As Mark Twain put it, "History doesn't repeat itself, but it does rhyme." Linda thinks Frances will turn out fine because of the sturdy character she's already evinced. As Linda says, perhaps unconsciously echoing Kurt Cobain, "I really think we come as we are."

tappelo@seattleweekly.com

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