Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

You've Been Warned

Digital Video + Time-Based Works 2006

Sue Peters

Published on March 15, 2006

The latest impressive and sophisticated show of digital installations by UW's School of Art and DXARTS students comprises eight pieces (from 30 entries) selected by juror Eric Fredericksen of Western Bridge, whose judgment can be trusted to be sharp and intelligently provocative. As you enter Jacob Lawrence Gallery, seeing multiple images projecting simultaneously on the calming white walls with their overlapping soundtracks is already a transporting experience. Spared the distraction of dialogue, the eight short films accentuate the visual and the visceral—like the close, silent intimacy of the young woman hugging the young man on the back of a motorcycle floating through DXARTS student Noel Paul's dreamlike Wait For Me (pictured). Graduate ceramics student Susie Lee's mesmerizing Conjugal features an undulating textured image projected onto a pillowlike screen she created from batting. The contours of her fabricated screen, which bulges from the wall, give this film a sensual, tactile quality. (Lee is deservedly racking up awards for her recent work at juried shows.) In Scan by Scott Carver (DXARTS), a digitally manipulated street scene morphs and slips past like a snake made of mercury. Meanwhile, in the back room, DXARTS student Kevin Olsen messes with your head, taking his dream (or nightmare) directly to the viewer. His Autonomic Cinema, created entirely with computer programming, is projected onto the viewer's eyelids. It's an intense visual experience—and the only entry in the show that comes with a warning. Jacob Lawrence Gallery, School of Art, UW campus, 206-685-1805, art.washington.edu/jlg. Noon-4 p.m. Tues.-Sat. Ends April 1. SUE PETERS