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THE PHYSICAL ACT of invading the ship was remarkably easy. All we did was jump over a hedge into an empty gravel lot. No locks, no guards, no dogsjust a quivering plank connected to a beat-up old ship. Once aboard, we found the metallic silver vessel not only to be unsafe for voyage and in a dubious state of blight but also trashed like a college freshman's dorm room. There were mattresses on the top deck, blankets, bloody band-aids, used condoms, Styrofoam coffee cups, old bottles of Bailey's, half-full pepper shakers, empty fifths of Beefeater's, and crappy orange deck chairs strewn about the bow. It was like the Kalakala's floating dwellers got pissed off at their landlord and didn't care if they got the damage deposit back when the lease expired.
"It was worse than I expected," offered one of my crewmembers, John Higgins. "It was a shithole, a silver Twinkie."
Frankly, calling the Kalakala "silver" is a generous assessment, because its hull is permeated by rust and a prodigious amount of graffiti. Sipping champagne and perched atop the boat, Higgins and another fellow crewmember, Lex "Hazelwood" Aesquivel, arrived at what they thought to be a suitable sticker price for the ransacked bucket of rust: $1, a monetary figure most closely associated with lowball appliance-bidding tactics on Bob Barker's The Price Is Right.
At face value, the Kalakala is ripe for condemnation. However, with the benefit of investor ingenuity, it contains a host of potential. For starters, the Kalakala is a natural body double for any of the Titanic re-enactments that seem always in the works at one film studio or another. As for local utilization, two suggestions: Either (1) have the Kalakala anchored in the middle of nowhere as a floating outpost for violent, exiled sex offenders, or (2) park its rusty ass next to the Emerald Queen Casino in Tacoma and run it as a brothel. The latter would seem to make a ton of sense. The ship's moniker is Chinook for "flying bird." And, well, as a brothel, there'd be birds aplenty aboard.
PERHAPS MOST STRIKING about the ship, in its current state of disrepair, is how positively vast and hollow it is, the sort of vacant, cranny-filled space that would lend itself spectacularly to a veritable floating Studio 54. As it is, a club called Kalakala smacks of über-hip austerity. New York would want it, but Seattle would have it, thus inherently enhancing the ship's value.
If the Kalakala does indeed have a new owner, he would do well to heed my crew's advice. The ship is wholly inappropriate to accommodate dinner theater, actual lake cruising, or any sort of nautical museum. Shelve the romantic notions. Put it to utilitarian use. Short of that, my investment team's offer stands firm at $1. Take it or leave it.