The nation's oldest Death Row inmate probably won't ever be executed. But he sure loves to write letters.
South Florida's lawless exotic rental car industry keeps rolling.
PITCAIRN SCOTT Allison Crane Trundle's big-motioned abstract canvases, plus Bruce Pitcairn's strange, haphazard paintings and sketches of flora and fauna. 2207 Second Ave., 206-448-5380. 11 a.m.-6 p.m. Tues.-Sat.
POST ALLEY SCULPTURE GARDEN Bent squiggles in steel by Randy Bolander. 413 and 1417 Post Alley (just below Pike Place Market), free, anytime.
PRICELESS WORKS Chloe Rizzo's oddly dainty "reanimator" sculptures are full of detached fingers and other body partsall the doilies and lace make them look like demented See's Candies. 619 N. 35th St., Suite 100, 206-349-9943. Noon-7 p.m. Fri.-Sun.
SOIL "The Farm Where My Mother Lives," documents four years on an overgrown sheep farm by Seattle photographer Kelly Kempe. 1317 E. Pine St., 206-264-8061. Noon-5 p.m. Thurs.-Sun.
SUYAMA SPACE In "Degrees of Appearance" Katy Stone creates another of her lush, site-specific installations using layer after layer of cascading painted acetate sheets. 2324 Second, 206-256-0809.
VIVEZA Variations on the theme of Dia de los Muertos (Mexico's Day of the Dead) in painting, sculpture, mixed media and video by 18 regional artists. 2604 Western Ave., 206-355-0070. Noon-5 p.m. Tues.-Sat.
WILLIAM TRAVER Polish-born artist and Seattle resident Anna Skibska's "In the Neighborhood" collects new work in keeping with her trademark métier: large, elemental shapes constructed from fine filaments of melted and stretched glass.110 Union St., second floor, 206-587-6501. 10 a.m.-6 p.m. Mon.-Fri.; 10 a.m.-5 p.m. Sat.; noon-5 p.m. Sun.
WINSTON WÄCHTER William Wegman's wistful Weimaraners at Winston Wachter: new Wegman photos of the world's most famous (and patient) dogs of art. 403 Dexter Ave. N., 206-652-5855, 10 a.m.-5 p.m. Tues.-Sat.
ZEITGEIST Zany, totemic iron sculpture by Joeseph Keppler. 171 S. Jackson St., 206-583-0497. 6 a.m.-7 p.m. Mon.-Fri, 8 a.m.-7 p.m. Sat.-Sun.
FRYE ART MUSEUM "An Imperial Collection: Women Artists from the State Hermitage Museum," consists of 45 accomplished, but somewhat ho-hum royal family portraits, history paintings, and self-portraits culled from the walls of the Hermitage. Some of these painters were active members of Catherine the Great's court, other works were acquired during Catherine's reign. 704 Terry Ave., 206-622-9250. 10 a.m.-5 p.m. Tues.-Sat.; noon-5 p.m. Sun.; 10 a.m.-8 p.m. Thurs.
HENRY ART GALLERY James Turrell's otherworldly chambers of light throw wide the doors of perception. His new permanent pavilion, the Skyspace, magically re-frames the sky as a field of flat color (catch it near dusk if you have the chance). Then there's the traveling show "Crosscurrents: Contemporary Art from the Neuberger Berman Collection," an electric jolt of candy-colored fabulousness. Nothing wispy or subtle herejust oversized, high impact pieces like Gregory Crewdson's inexplicably hilarious chromogenic print of a mountain of junk in a suburban back yard and Don Brown's shiny all-pink cast resin sculpture of himself. Also on view is "On Wanting to Grow Horns: The Little Theatre of Tom Knechtel," surreal, decadent, vaguely allegorical paintings that draw on zoology and Freud; Aubrey Beardsley meets James Audubon. UW campus, 206-543-2280. 11 a.m.-5 p.m. Tues.-Sun; 11 a.m.-8 p.m. Thurs.
MUSEUM OF GLASS Possessing the same spare gestures of Zen brush and ink painters, Michael Kenna's black and white landscape photographs in the Museum of Glass show "Japan" evoke a simple, alternate dreamworld. "Glass of the Avant Garde" offers selections from the Torsten Brohan collection of middle European twentieth-century art glass. Plus: a new triptych installation by Seattle artist Cappy Thompson that lays out, in mythic form, the evolution of glass art. 1801 East Dock St. Tacoma, 253-396-1768. 10 a.m.-5 p.m. Tues.-Sat, noon-5 p.m. Sun.
SEATTLE ART MUSEUM SAM opens the second installment of its "International Abstraction: Making Painting Real" by digging into its collection and coming up with fine examples of the post-World War II abstract expressionist and minimalist movements. Pollock, Frank Stella, and Arhile Gorky are well represented, as well as lesser-known artists, including one-time Western Washington University student and mystical minimalist Agnes Martin. Part I offers work by heavy hitters Joseph Albers, Wassily Kandinsky, Paul Klee, and Marcel Duchamp. I "The View From Here: The Pacific Northwest 1800-1930" offers up a predicable potpourri of paintings, photographs, and Native American art from the region's first boomtime: an Albert Bierstadt painting, an Imogen Cunningham photograph, etc. 100 University St., 206-654-3100. 10 a.m.-5 p.m. Tues.-Sun.; 10 a.m.-9 p.m. Thurs.
SEATTLE ASIAN ART MUSEUM "Discovering Buddhist Art: Seeking the Sublime, " recycles Buddhist pieces from the museum's permanent collection to highlight the diversity of Buddhist sacred art, from simple, quiet Bodhisattva sculptures to colorful Tibetan thanka paintings. Also on display, luminous Japanese prints from the 19th century onward, including atmospheric, nocturnal scenes by Kawase Hasui. "A Feast" two contemporary scrolls by Chinese ink painter Li Jin, includes one 59-foot behemoth that pokes fun at the excesses of Chinese celebrations and cuisine. Volunteer Park, 1400 E. Prospect Ave., 206-625-8900. 10 a.m.-5 p.m. Wed.-Sun.; 10 a.m.-9 p.m. Thurs.