SINGER/SONGWRITER:
DAMIEN JURADO
Adam L. Weintraub
Winner, Hard Rock: Cookie.
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Take an ex-punk preschool teacher with a knack for discovering discarded answering machine audiocassettes into the new millennium and what do you get? A world-class urban folksinger and a bunch of erudite lyrics about antidepressants, bore-dom, and fear. With 2000's Ghost of David (Sub Pop), Jurado established himself as a thinking man's thinker and a folksinger's singer. Moreover, Jurado is a rare strain of the singer/ songwriter species: He doesn't whine, blush, or otherwise dampen the mostly acoustic pop foundation he builds on. He just sings his stories and quietly walks awaynow with this award in hand. (www.damienjurado.com) LAURA CASSIDY
AMERICANA/ROOTS:
MEMPHIS RADIO KINGS
They're not from Memphis and haven't enjoyed heavy rotation on Tennessee's airwaves; however, Memphis Radio Kings have achieved royalty status in Seattle's Americana community in a very short time. In live performances peppered with poignant lyrics, searing guitar, and enough hooks for an anglers' convention, this bassless trio draws comparisons to such gritty bar-band legends as the dB's, the Del Fuegos, and the Replacements when the latter were half-sober. Memphis Radio Kings are currently in the studio working on the follow-up to their smashing 2002 CD, No Band in the Happy Place. (www.memphisradiokings.com) STEVE STAV
COUNTRY/ROCKABILLY:
DUSTY 45s
Dusty 45s possess the uncanny ability to toss everything but the kitchen sink at their audiences and dazzle 'em every time. The quintet's unsurpassed reverence for timeless music allows it to seamlessly shift from well-crafted originals to inspired covers, incorporating swing, jump blues, classic country, and Sun Records-style rockabilly along the way. Fronted by crooner/trumpeter Billy Joe Huels (a showman non pareil who simultaneously channels the appeal of Louis Armstrong, Eddie Cochran, and Cab Calloway), Seattle's unofficial house band has survived several personnel changes since its "swing craze"- era debut. However, the 45s' latest incarnationwith new recruits Jerry Battista (the Allies) and Mark Pickerel (Screaming Trees)is its strongest lineup to date. (www.dusty45s.com) S.S.
Perform next at Bumbershoot, Sat., Aug. 30.
PUNK/HARDCORE:
THE CATHETERS
Everybody's favorite hell-raising auto-body-shop quartet (they're officially too greasy for garage status) has spent the last few years rocking so furiously and endlessly that the inherent grodiness of the band's moniker is so not a talking point anymore. Blistering with pure punk authenticity, the Catheters are well on their way to slitting Seattle's security blanket wide open. The ferocious single "Nothing" broke through to MTV2 for a split second, and although Static Delusions and Stone-Still Days (Sub Pop) was a knockout sophomore sensation, enthusiasts are clamoring for the goddamn follow-up, already. (www.thecatheters.com) ANDREW BONAZELLI
HARD ROCK/METAL:
COOKIE
The dye jobs, spikes, and genitalia-out swagger scream their SoCal upbringing like a teal badge of courage, but Cookie have evidently comfortably ensconced themselves as the cream between Seattle rock's otherwise overwhelmingly black Oreo wafers. The trio plays tavern-friendly power rock without a shred of irony and rocks out about three of the most volatile, beloved D's: drinkin', drivin', and doin' it. Their image is nasty but the melodies and hooksmany courtesy of bassist/ frontwoman Sabrina RockArena are gradually reeling in folks hungry to worship a new Joan Jett or Pat Benatar. (www.cookiefactory.com) A.B.
ROCK/GARAGE:
THE MAKERS
Who says glam or garage is dead? Not you guys. And not the Makers, either. Back on their '94 Estrus record debut, they were all empty bottles and big, fast cars, but their last Sub Pop release, 2002's Strange Days, had them ditching most of the bombast in favor of a Bolan-esque psychedelic opera. By all accounts, however, their live shows are still properly unhingedbut as far as we know, they're not showing up in that '65 Pontiac hearse anymore. At any rate, the Makers' drummer was recently recruited by the Cramps for their European tour. And if those guys aren't dead yet . . . (www.subpop.com/scripts/main/ bands_page.php?id=143) L.C.
HIP-HOP/RAP:
SOURCE OF LABOR
In the often nationally ignored Seattle hip-hop scene, Source of Labor is one group that deserves to be in the spotlight. What began as Jonathan Moore (Wordsayer) rhyming over his brother Upendu Tokkas' (Negus 1) beats has grown into a collective of very talented musicians with the addition of Darrius Willrich (keyboards), Devon Lewis (drums), and Kevin Hudson (bass). Source of Labor's shows are high-energy explorations of each member's talents, with improvisation standard practice. While the group hasn't put out an album since 2001's Stolen Lives, their shows definitely refute the myths about Seattle's scene. (www.jasirimusic.org/pages/sol_main.shtml) NOAM REUVENI.
Perform every Friday at Jumbalaya, Baltic Room.
WORLD/REGGAE:
KULTUR SHOCK
When there are bombs dropping around you in downtown Sarajevo, you really do learn how to party like it's 1999, and Bosnian transplant and Kultur Shock vocalist Gino Srdjan Yevdjevich has the desperate exhilaration of a man who's learned to relish joy even while cynically appraising the fear and violence around him. His large, multiethnic band, with the chameleon Amy Denio on sax, grinds out punk-Balkan dances that feel like a wedding party on the edge of a riot. This summer, the band took its "Fucc the INS" tour to Spain and Germany, bringing the Old World a taste of the 魩gr頨ysteria that Seattleites have been enjoying for years. A new CD is coming soon. (www.kulturshock.com) MARK D. FEFER
